Every industry has been experiencing massive, fast, and sometimes devastating changes over the last decade or more. Take Lyft and Uber, for example, and how they’ve upended transportation. Or how Airbnb and the sharing economy have disrupted the hospitality industry, or how Spotify forced Apple to rethink its iTunes business proposition. Apps and mobile devices continue to cause major market shakeups as they either change the way people interact with a market or find their way into new markets. And it’s not slowing down, it’s speeding up!
Once again, it’s awards season in Hollywood. And once again, women have been largely (and very noticeably) snubbed by the film industry.
At the recent Golden Globes, none of these female directors were nominated: Greta Gerwig (“Little Women), Marielle Heller (“It's a Beautiful Day in the Neighborhood”), Lulu Wang (“The Farewell”), Lorene Scafaria (“Hustlers”) or Olivia Wilde (“Booksmart”). What’s going on here? Is the male grip on Hollywood really that tight?
Apparently so. Take a look at this year’s list of Oscars nominees and you’ll see the exact same story: no women directors.
Should we be surprised? In 91 years, the Oscars have recognized only five women in the Best Director category: Lina Wertmüller (“Seven Beauties,” 1975), Jane Campion (“The Piano,” 1994), Sofia Coppola (“Lost in Translation,” 2003), Kathryn Bigelow (“The Hurt Locker,” 2009) and Greta Gerwig (“Lady Bird,” 2017). Bigelow is the only one woman who’s ever won, and no woman of color has ever even been nominated.
Sidelining women in film is a recurring pattern, not a one-off